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In 1920, a squire decides to change his skin and pretends to be poor to a nice bourgeois family. This mysterious and handsome young man, discovered in a pavilion of a vast property, will cause a lot of disturbances among the female population of a castle.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

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A coastal man wakes up alone, lying on the beach. The fish have become broken guitars. The mountain is calling him. When the guitars burn and the mountain goes out, the journey of the death of a coastal man will begin.

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A documentary that captures some moments on set of filming of Luc Besson's "Nikita".

A documentary that captures some moments on set of filming of Luc Besson's "Nikita".